Charlotte de Mille, PhD, is Lecturer at the University of Sussex and Visiting Lecturer at the Courtauld Institute of Art. Her current research concerns the intersection of music, painting and philosophy. Editor of the volume Music and Modernism (Cambridge Scholars Publishing, 2011), and recently published in Art History, she is co-editor with John Mullarkey of Bergson and the Art of Immanence: Painting, Photography, Film, Performance (Edinburgh University Press, 2013), and has contributions forthcoming in: James H. Rubin and Olivia Mattis (eds.), Rival Sisters: Art and Music at the Birth of Modernism (Ashgate, 2012); Satish Padiyar (ed.), Modernist Games: Cézanne and The Card Players (Courtauld Institute 2012); and A. Leonard and T. Shepherd (eds.), Music and Visual Culture: A Research Guide (Routledge, 2013). She is curator of music for the Courtauld Gallery and Chair of the Royal Musical Association’s Music and Visual Arts Group.